米里亚姆·夏皮罗(Miriam Schapiro)高清作品《玩具屋》

作品名：玩具屋

艺术家：米里亚姆·夏皮罗

年代：1972

风格：女权主义艺术

类型：装置

介质：木质,混合介质

尺寸：208 x 202 cm

米里亚姆·夏皮罗与雪莉·布罗迪在《娃娃屋》上合作制作《女人屋》，这是由加利福尼亚艺术学院赞助的一个女权主义艺术合作社举办的装置。“女宅”是被艺术家们改造成处理女性体验不同方面的一系列房间的好莱坞式宅邸，而“娃娃屋”作为房间中的一套“房间”提供了另一种想象力和幻想。夏皮罗和布罗迪从全国各地的妇女那里收集的花边、手帕、茶巾、微型家具和个人纪念品。娃娃屋是从夏皮罗称之为“神龛”的一系列作品中成长起来的，她在这些作品中探索了她作为艺术家、妻子和母亲的身份转变。一个客厅，一个厨房，一个好莱坞明星的卧室，一个“后宫”房间，一个托儿所，在顶层，一个艺术家的工作室暗示了这些相互冲突的角色。不同的符号挑战了女性的家庭生活阻止她们成为“严肃”艺术这一观念。与此同时，小房子里的小房间唤起了妇女的希望，牢牢地关在牢房里。

Title:Dollhouse

artist:Miriam Schapiro

Date:1972

Style:Feminist Art

Genre:installation

Media:wood,mixed media

Dimensions:208 x 202 cm

Miriam Schapiro collaborated with Sherry Brody on Dollhouse as part of Womanhouse, an installation by a feminist art cooperative sponsored by the California Institute of the Arts. Womanhouse was a condemned Hollywood mansion transformed by the artists into a series of rooms dealing with different aspects of womens experience, and Dollhouse provided another level of imagination and fantasy as a set of rooms within rooms. The compartments are filled with bits of lace, handkerchiefs, tea towels, miniature furniture, and personal mementos that Schapiro and Brody had collected from women all over the country. Dollhouse grew out of a series of works that Schapiro called her shrines, in which she explored her shifting identities as artist, wife, and mother. A parlor, a kitchen, a Hollywood stars bedroom, a harem room, a nursery, and, on the top floor, an artists studio suggest these conflicting roles. The different symbols challenge the idea that the domestic lives of women prevent them from making serious art. At the same time, the tiny rooms in Dollhouse evoke cells in which the hopes of women are often imprisoned.