米拉申德尔(Mira Schendel)高清作品Untitled (from Droguinhas)
米拉·申德尔(Mira Schendel)高清作品《Untitled (from Droguinhas)》
作品名：Untitled (from Droguinhas)
艺术家：米拉·申德尔
年代：1964 c.1966
风格：概念艺术
类型：装置
介质：纸
收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国
在20世纪60年代中期，施耐尔用她用手缠结的米纸做了一系列三维作品。她把它们看成是短暂的雕塑，不是最后的，并把它们叫做Droguinhas（字面意思是“小毒品”），一个巴西俚语，意思是“没什么”或者表示一些毫无价值的东西。这种无捻绳索的网状结构唤起编织的动作，可以水平放置或垂直放置。作为一个训练有素的哲学家和诗人，Schendel用她的艺术来处理存在的问题，颠覆艺术媒介之间的传统等级制度。
Title:Untitled (from Droguinhas)
artist:Mira Schendel
Date:1964 - c.1966
Style:Conceptual Art
Genre:installation
Media:paper
Location:Museum of Modern Art (MoMA), New York City, NY, US
In the mid-1960s, Schendel produced a series of three-dimensional works made of knotted rice paper she had intertwined by hand. She thought of them as ephemeral sculptures—not meant to last—and called them Droguinhas (literally “little drugs”), a Brazilian slang expression that means “Nothing” or indicates something worthless. This formless network of twisted cords evokes the act of weaving and can be placed horizontally or vertically. A trained philosopher and poet, Schendel used her art to address existential questions and to subvert the traditional hierarchies between artistic mediums.