在花园里苦恼米里亚姆夏皮罗(Miriam Schapiro)高清作品欣赏

在花园里苦恼米里亚姆夏皮罗(Miriam Schapiro)高清作品欣赏

米里亚姆·夏皮罗(Miriam Schapiro)高清作品《在花园里苦恼》

作品名:在花园里苦恼

艺术家:米里亚姆·夏皮罗

风格:女权主义艺术,图案装饰

类型:肖像

这幅大型画是上世纪70年代中期开始的合作系列画中的一幅,夏皮罗与著名的女艺术家,例如弗里达·卡洛,进行对话并表示敬意。夏皮罗是一位开创性的女权主义艺术家,她和朱迪·芝加哥于1971年在加利福尼亚艺术学院创办了女权主义艺术项目,这是第一项鼓励妇女从个人经历中创作艺术的项目。作为图案和装饰运动的领导者,夏皮罗以她的“女巫”或拼贴画而闻名,她的拼贴画旨在回收与妇女工作有关的传统手工艺品,如刺绣和缝纫。从风格上看,这幅画模仿了拼贴画的样子,回想起夏皮罗长期以来对装饰元素和女性作品是表达女性经验的可行艺术手段的信仰,具有和颠覆的潜力。

Title:Agony in the Garden

artist:Miriam Schapiro

Style:Feminist Art,PD (Pattern and Decoration)

Genre:portrait

This large-scale painting is one in an ongoing Collaboration series begun in the mid-1970s, in which Schapiro dialogues with and pays homage to famous women artists, in this instance Frida Kahlo, whose self-portrait The Broken Column, 1944, is reproduced in the center. Schapiro is a pioneering feminist artist who, with Judy Chicago, founded the Feminist Art Program at the California Institute of the Arts in 1971, the first program of its kind to encourage women to make art from their personal experiences. A leader in the Pattern and Decoration movement, Schapiro is known for her “femmages,” or collage paintings, which aim to reclaim traditional handicrafts associated with women’s work, such as embroidery and sewing. Stylistically this painting mimics the look of a collage, recalling Schapiro’s long-standing commitment to the belief that decorative elements and women’s work are viable artistic means to express female experience, having both political and subversive potential.

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