马克·罗斯科(Mark Rothko)高清作品《3/13号（品红，黑色，橙色的绿色）》

作品名：3/13号（品红，黑色，橙色的绿色）

艺术家：马克·罗斯科

年代：1949

风格：色域绘画

类型：抽象

介质：油画

收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国

《橙子上的洋红、黑色、绿色》遵循了罗斯科从1947年开始探索了23年的作品结构。狭长分开的矩形颜色块，悬停在彩色地面上的圆柱上。它们的边缘柔软且不规则，因此当Rothko使用紧密相关的音调时，这些矩形有时看起来几乎不能从地面聚结出来，其物质浓度很高。另一方面，在洋红，黑色，橙色上的绿色条，似乎对着它周围的橙子振动，产生光学闪烁。事实上，画布中充满了柔和的运动，随着块的出现和退去，表面也在呼吸。正如边缘趋向于褪色和模糊，颜色从来都不是完全平坦的，并且其强度的微弱不均匀性，除了暗示艺术家在层叠水洗的过程中，调动了模糊性，在坚固性和不可触及的深度之间转换。

Title:No.3/No.13 (Magenta, Black, Green on Orange)

artist:Mark Rothko

Date:1949

Style:Color Field Painting

Genre:abstract

Media:oil

Location:Museum of Modern Art (MoMA), New York City, NY, US

Magenta, Black, Green on Orange follows a compositional structure that Rothko explored for twenty–three years beginning in 1947. Narrowly separated, rectangular blocks of color hover in a column against a colored ground. Their edges are soft and irregular, so that when Rothko uses closely related tones, the rectangles sometimes seem barely to coalesce out of the ground, concentrations of its substance. The green bar in Magenta, Black, Green on Orange, on the other hand, appears to vibrate against the orange around it, creating an optical flicker. In fact the canvas is full of gentle movement, as blocks emerge and recede, and surfaces breathe. Just as edges tend to fade and blur, colors are never completely flat, and the faint unevenness in their intensity, besides hinting at the artists process in layering wash on wash, mobilizes an ambiguity, a shifting between solidity and impalpable depth.