优雅的机器汉斯贝尔默(Hans Bellmer)高清作品欣赏
汉斯·贝尔默(Hans Bellmer)高清作品《优雅的机器》
作品名：优雅的机器
艺术家：汉斯·贝尔默
年代：1937
风格：超现实主义
类型：雕塑
介质：木质,金属
收藏：现代艺术博物馆（现代艺术博物馆），纽约市，纽约，美国
公元前1933年，贝尔默开始制造令人不安的玩偶，阿道夫·希特勒在德国掌权。许多人把它们解释为上蔑视纳粹所倡导的雅利安理想和社会规范的行为，他公开反对纳粹，表达了他对加入纳粹党的父亲的个人愤慨。贝尔默自己说过，“如果我的作品来源是丑闻，那是因为对我来说，世界是丑闻。”“在艺术家离开巴黎去巴黎之前一年在柏林制作的，在那里他度过了余生的美好时光，这个人形残缺不全，身体部位张开。截断，其尺度失真。通过球关节机械地连接，它的附件提供无穷无尽的反常重组，通过暗示成性和青春期前女孩的身体特征，使所有更令人不安。
Title:The Machine-Gunneress in a State of Grace
artist:Hans Bellmer
Date:1937
Style:Surrealism
Genre:sculpture
Media:wood,metal
Location:Museum of Modern Art (MoMA), New York City, NY, US
Bellmer began creating disturbing dolls in 1933, the year Adolf Hitler assumed power in Germany. Many have interpreted them as acts of political defiance against the Aryan ideals and social norms promoted by the Nazis, whom he openly opposed, and expressions of the personal outrage he felt towards his father, who had joined the Nazi party. Bellmer himself stated, If the origin of my work is scandalous, it is because for me, the world is a scandal. Made in Berlin one year before the artist left for Paris, where he lived for the better part of the rest of his life, this figure is violently fragmented, its body parts splayed and truncated and its scale distorted. Connected mechanically by ball joints, its appendages offer endless perverse recombinations, made all the more unsettling by suggesting the physical traits of both a mature woman and a prepubescent girl.