在北京今日美术馆3号馆，2021年5月15日，“无意呈现——杨沛霖作品展”迎来了其开幕。此次展览是独立艺术家杨沛霖的首个当代艺术个展，展示了他近二十年来的46件代表作。开幕式上，有多位嘉宾包括彭锋、晏燕、刘礼宾等人出席。

作为一名有着长时间书法经验的艺术家，杨沛霖将水墨和宣纸作为他的主要材料。他通过折叠、捆扎、滚压和拓印等不同动作，不断探索这些媒介的潜能。他的动作朴拙而极简，每一个动作都创生出一个视觉系列，这些系列构成了“非对称”、“非重复”、“非形象”和“非表面”的主要单元。

这些作品尺幅巨大，细节耐人寻味，不同系列呈现出相异的形式、色彩与线条之美，同时又统一于艺术家的核心创作理念——无意呈现。在创作时，杨沛霖摒弃既往经验的积累，从“无”开始，“无”中生“有”。他并不设定作品最终的呈现效果，只是在天人合作之中，让心中的“意”与客观的“象”同步发生。

展览从艺术家近两年创作的一组装置《淹墨》开始，以此为起点逐渐往前追溯至2013年的装置《废作纸浆》，这是其对早期形式主义和现代主义探索的告别与留念。这件作品由台风菲特造成，是自然与时间造化的一个体现。

策展人许柏成认为这个展览为大家提供了一个值得关注和研究的个案。杨沛霖20余年的默默探索超越了形式，更注重呈现观念。他将中国传统文化哲学思想与当代艺术表现形式融合在一起，为中国当代艺术注入新的血液。

本次展览持续至5月30日，在这一期间，对于参观者来说，无疑是一场深刻的心灵漫游。本次活动不仅展示了杨沛霖独特而深邃的人物世界，还让我们反思在快节奏生活中，我们是否能够找到那份沉静下来，与内心对话的地方？

Yang Peili's solo exhibition "Unintentional Presentation" opened at the No. 3 Hall of Today Art Museum on May 15, 2021. This exhibition is Yang Peili's first contemporary art solo show, featuring his representative works created over the past twenty years.

As an artist with extensive calligraphy experience, Yang Peili uses water and paper as his primary materials. Through folding, binding, rolling, and printing techniques, he continuously explores the potential of these traditional media. His actions are simple yet profound; each action gives birth to a visual series that forms the main units of "Non-Symmetry," "Non-Repetition," "Non-Form," and "Non-Surface."

The artworks are large in scale and rich in detail; different series present various forms, colors, and line aesthetics while maintaining a unified core creative concept – unintentional presentation. During creation process, Yang Peili rejects accumulated experiences from before; he starts from nothingness (non-being) to beingness (being). He does not set up expectations for final presentations but allows inner intention ("i") to synchronize with objective form ("o") through human-nature collaboration.

The exhibition starts with artworks created by Yang Peili within the past two years - Soaked Ink - followed by tracing back to Paper Pulp in 2013 which serves as farewell and reminiscence towards early formalism exploration. This piece was caused by Typhoon Fung-Wong symbolizing natural time coalescence.

According to curator Xu Bochen this event offers an interesting case study for everyone involved in it. Over more than two decades of silent exploration beyond forms alone lies Yang Peili's emphasis on presenting ideas through art language creativity without limits or extremity aiming at true reality alongside its omnipresence within all aspects.

This ongoing exhibition continues until May 30th offering visitors a profound spiritual journey during this period reflecting upon whether we can find quiet moments amidst fast-paced life where we can converse inwardly?